Posts tagged Mid-Century Modern Near Me
MID-CENTURY MASTERS: PAUL MCCOBB

Paul McCobb (June 5, 1917 - March 10, 1969) is one of the most important and well known mid-century furniture designers. Born in Medford, Massachusetts, he studied drawing and painting at the Vesper George School of Art in Boston. Before finishing, he joined the army. He returned and began his career as a self taught designer, in 1948 joining Martin Feinman’s Modernage Furniture in New York City as a designer and decorating consultant. This is where he would meet B. G. Mesber who he would collaborate with for his Planner and Directional lines. While he is known for his furniture, he also designed radios, tv’s, hi-fi consoles, and household items. He went on to design lines of furniture for many companies, including Planner for Winchendon Furniture Company, Predictor for O’Hearn Furniture, multiple lines for Calvin Furniture, and Connoisseur Collection by H. Sacks and Sons. His Planner line was one of the best selling furniture lines of the 1950’s. In 1952, he designed the set for the originalToday show, one of the first major introductions of modern design to the broader America.

What is striking about McCobb’s work is its simplicity. While this style is so regularly seen today, it was inventive and new for the time he worked. Every furniture piece is boiled down to its necessary parts— legs, seats, shelves, drawers— with no ornamentation. This paired back design requires each element to be carefully considered to achieve elegance rather than boring simplicity, a feat McCobb achieved with beautiful materials, thin and tapering forms, and thoughtful geometry. In his dining chairs seen above, for all intents and purposes they are very simple, straightforward chairs. McCobb’s touch is seen in the careful angle of the back, the tapering of the legs at the base, and the selection of rich wood. Looking at his pieces more than half a century later, they are truly timeless. His modernist vision was done so correctly that his work stands the test of time.

FEATURED IN MARCH: PLATNER, LOTENERO, JUHL

This month we are happy to showcase new and treasured pieces at the gallery. New pieces by Finn Juhl and Warren Platner and works by Michael Lotenero and Mies van der Rohe are highlighted this month. We are available, as always, by appointment. Please reach out and we would be happy to set up a time to show these pieces.

FINN JUHL FOR BAKER FURNITURE CABINET

This cabinet was designed by Finn Juhl for Baker Furniture as part of the Baker Modern line. It is made of freshly restored teak and maple. Finn Juhl was an iconic Danish designer known primarily for his furniture and is credited with introducing this style to America. He studied architecture and began his career as a student working on interiors. He was brought to the American design market by being spotted by a MoMA curator and then being picked up to design a line for Baker. This piece’s design celebrates the materiality of the wood; the grain and texture becomes the star. The contrasting wood species highlight each other and the streamlined design is simple yet beautiful.

WARREN PLATNER FOR KNOLL SIDE TABLES

These side tables are emblematic of Platner’s designs, featuring the curving metal legs he is known so well for. The marble tops come in their original boxes from the 1980s; original glass tops are also available. The combination of materials in conjunction with the lines evokes the modern elegance of mid century design, utilizing classic materials with experimental forms. The marble tops almost hover, support by many spindly legs rather than any substantial forms. This adds to the modern flair: a heavy piece of marble almost floating.


"DREAMSCAPE II"

Michael Lotenero creates evocative and dramatic abstract works. This large scale piece is oil on canvas, with bold and gestural marks against a black field. The majority of the forms rest within the middle linear portion of the piece, carefully evading the upper and lower portions. These contrasting marks seem to float in the black field, this dark container clearly behind the forms but also sheerly shrouding some. The artist clearly uses a variety of methods to create, with clear brush strokes slashing across the canvas, smaller messier fields, and long, almost scratch like lines that move across.

CROWN HALL: A-10

Crown Hall is one of the jewels of Illinois Institute of Technology’s campus. With long planes of glass held by black, steel beams, the space almost floats, with light pouring in from all sides. The building was designed in 1954 and is part of a collection of iconic early modern architecture on the school’s campus. It is the home of the College of Architecture and was finished in 1956. The space is almost entirely open, free from beams or structural walls, allowing it be changed and adapted to whatever is needed of it. This drawing comes from Mies’s office and comes from a set of technical working drawings.

MILO BAUGHMAN

Milo Baughman was an American modern furniture designer. His career began during his service in World War II, designing officer’s clubs. After returning from war, he went on to study at the Art Center School of Los Angeles and Chouinard Art Institute. He then established his own design practice while also designing for other manufacturers, such as Glenn of California, Pacific Iron, Drexel, and most notably with Thayer Coggin. This collaboration lasted for 50 years and include some of Baughman’s most well known designs.

Baughman’s designs are without frills: the interest and excitement is baked into the forms and materials he employs. Using rich wood, upholstery, lucite, and chrome, his pieces are practical enough to fit into any home but almost sculptural enough to be works of art. The lines are intentional and bold with sleek curves or perfect right angles. In avoiding extra details, every element of his designs are carefully chosen and elegantly considered. Even his most adventurous pieces are appropriate in scale and usability. For example, the rosewood coffee table top appears to hover with its lucite legs, or the rosewood credenza looks as if three wooden cubes are suspended in air with the chrome body. Baughman’s furniture pieces have remained timeless due to the use of classic materials and simple design.

FEATURED IN MAY

ISAMU NOGUCHI IN-50 COFFEE TABLE

"In art, one does not aim for simplicity. One achieves it unintentionally as one gets closer to the real meaning of things." -Constantin Brancusi

Isamu Noguchi’s iconic coffee table is comprised of two pieces of solid wood, interlocking into each other to form a tripod base for the glass above. Constantin Brancusi’s influence is apparent in this work, through Noguchi’s time as Brancusi’s apprentice, with the use of organic shapes and assemblage. This sculptural design has proven the test of time through its unity of harmony, balance, and durability.

EDWARD WORMLEY PYRAMID FLOATING BOOKCASE

Edward Wormley was a longtime director of the Dunbar furniture company, and brought modern design into midcentury residential homes. He had a deep appreciation for traditional design and impeccable craftsmanship. The Pyramid Floating Bookcase can be utilized against a wall or floating in a room to add more dimensionality to put your collection of books and objects on display.

UNTITLED BY SHINNOSUKE MIYAKE

Untitled beautifully captures an instantaneous moment and invites the viewer to be immersed in Miyake’s brushstrokes. The artist’s trust in his impulsive decisions is definite, bringing concrete yet fluid motions to the surface. Read Japanese artist Shinnosuke Miyake’s bio and view his other works here.

FEATURED IN DECEMBER

MILO BAUGHMAN MID-CENTURY MODERN CANTILEVER CURVED CHROME SOFA

This cantilever sofa by Milo Baughman, produced in the 1960s, has been freshly reupholstered with a plush poly blend that catches light in its weave. Contrasting soft, rounded edges with its clean-edged chrome, this design combines the organic shapes of contemporary furniture with MCM rectilinearity.

AZURE BY MAURA SEGAL

Azure has an entrancing washed blue background that underscores the sharp lines of its collaged paper. These thin lines that appear hand drawn, reveal themselves to be meticulously cut from strands of paper. Their craft gives them a wavering width and kinked bends that so well articulate Segal’s sensibility. Rigid like wire and sharp like the edges of tape, Segal places these lines to activate the borders of her paintings. Shadowy polygons hover beneath the artwork’s monochromatic background to highlight the negative space left by the foreground’s lines.

CURTIS JERÉ RAINDROPS WALL SCULPTURE MIRROR

Curtis Jeré, known for producing elegant brass and glass sculptures under Artisan House, made some of the most iconic wall pieces of the 60s & 70s. This mirror comes from one of Jeré’s most recognizable series: Raindrops. Characterized by its emphasis on circularity and reflection, Raindrops possess warm patinas and luminescent form.